拾萬北京｜展览现场｜丁世伟：幽灵腹语
拾萬空间（北京）非常荣幸呈现艺术家丁世伟的个展：幽灵腹语。展览已于2024年7月13日开幕。
Hunsand Space (Beijing) already has presented a solo exhibition by Ding Shiwei titled Specter's Ventriloquism from July 13, 2024.
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在《审判》中，作品以OpenAI创始人Sam Altman为原型的眼睛作为装置中影像的主体，在末日火光的映照下偶尔流下眼泪。装置呈十字架形态，悬挂在两根承重柱之间，用锁链固定，借用了耶稣受难的形象，揭示了现代社会中技术领导者面临的道德和伦理审判，为观众思考技术发展的双重性和潜在威胁提供了宗教式的想象。
In The Trial, the work features an image of OpenAI founder Sam Altman's eye as the main subject. Under the apocalyptic glow of flames, the eye occasionally sheds a tear. The installation takes the shape of a cross, suspended between two supporting columns and fixed with chains, echoing the crucifixion of Jesus. This piece highlights the moral and ethical scrutiny faced by tech leaders in modern society, offering viewers a religious metaphor to contemplate the dual nature and potential dangers of technological advancement.
审判 I The Trial（局部｜detail）
宣言隐写 I Manifesto Steganography
影像装置｜Video Installation
三维动画/5寸圆屏组/显示器驱动模块/微型计算机/铝制通风管/定制铝配件/电源/尺寸可变｜3D Animation/5-inch Circular Screens/Display Driver Module/Mini Computer/Aluminum Ventilation Pipe/Custom Aluminum Parts/Power Supply/Dimensions Variable
版数Edition: 3+2AP
2024
旗的腹语 I The Ventriloquism of the Flag（局部｜detail）
在《幽灵回响》中，丁世伟构建了一个环形的互动影像装置，展示了30组由AI生成的仿真手臂图像，这些图像由ChatGPT-4生成。当观众靠近屏幕时，超声波传感器触发屏幕上的手臂静态图像变为生成式AI输出的影像，手臂像布料或旗帜一样飘动。装置构建了一个真假难辨的幽灵广场，幽灵不仅是指复杂系统中的人工智能，也指代藏匿于意识形态图像背后的用户。
In Echoes of Specters, Ding Shiwei creates a circular interactive video installation featuring 30 AI-generated simulated arm images produced by ChatGPT-4. When viewers approach the screens, ultrasonic sensors trigger the static arm images to transform into generative AI animations, making the arms flutter like fabric or flags. The installation creates a ghostly plaza where the specters refer not only to the complex AI systems but also to the users hidden behind ideological images.
幽灵回响 I Echoes of Specters（局部｜detail）
艺｜术｜家
ARTIST
丁世伟（b.1989）硕士毕业于中国美术学院跨媒体艺术学院，现工作生活于杭州。他的作品在基于屏幕经验下的影像装置、雕塑、图像、视频、互动装置等多种媒介形式中展开。他广泛地对意识形态话语、流行图像与哲学符号进行援引和挪用，通过媒体界面开启观者的感知通道，过滤并干预个体降维的用户经验，进而昭示了屏幕景观作为当代政治与信仰的反乌托邦式的自我实现预言。屏显作为处于物质世界与数字拟像的中介，不断在参与观者身体的重塑与规训。他的作品一方面将观众已悄然异化的介面身体与观凝感官重新穿刺，另一方面以可爱化(kawaiification) 作为模糊对立与矛盾的定言令式，在痛感与诙谐的矛盾知觉中不断缝合现实与虚拟的边界。
近期个展包括：幽灵腹语，拾萬空间，北京，2024；窗，1000 Press，杭州，2023；信仰得来速，Gallery Vacancy，上海，2021；随机预言，想象力学实验室，杭州，2020。近期部分群展机构包括：天目里美术馆，杭州，2023；X美术馆，北京，2023；剩余空间，武汉，2022；山中天艺术中心，北京，2021；K11基金会，上海，2020；银川当代美术馆，银川，2019；中国美术学院，杭州，2018；昂西城堡博物馆，昂西，2017；
Castello Di Rivara当代美术馆，都灵，2016； 中央美术学院美术馆，北京，2015。他曾于2015获得法国克莱蒙费朗Prix Videoformes特别奖，并在2014年获美国华盛顿华语电影节
银奖。他的短片作品在众多国际电影节展出，曾入围法国昂西国际动画节、荷兰国际动画节、鹿特丹国际电影节、坦佩雷电影节等。他的作品也被机构收藏包括：路易斯安那现代艺术博物馆，哥本哈根，丹麦；中央美术学院美术馆，北京，中国；四方当代美术馆，南京，中国；天目里美术馆，杭州，中国等。
Ding Shiwei (b.1989) holds an MFA degree from the School of Intermedia Art at the China Academy of Art and now lives and works in Hangzhou, China.His works unfold in various mediums such as video installations, sculptures, images, videos, and interactive installations based on the experience of the screen. He invokes and appropriates a wide range of ideological discourses, popular images, and philosophical symbols, opening up the viewer's perceptual channels through the media interface, filtering and intervening with the individual's degraded user experience, thus revealing the screen landscape as an anti-utopian self-fulfilling prophecy of contemporary politics and beliefs. As a mediator between the material world and the digital simulacrum, the screen is constantly involved in reshaping and disciplining the viewer's body. On the one hand, his works re-pierce the viewer's silently alienated interface body and the observation senses, and on the other hand, ultimately adopting "kawaiification" as the categorical imperative to obscure the fanged structure, they constantly stitch together the real and virtual branching in a paradoxical perception of wit and pain.
His recent solo exhibitions include Specter's Ventriloquism，Hansard Space，Beijing，2024；The Window, 1000 Press, Hangzhou, 2023; Faith on Tap, Gallery Vacancy, Shanghai, 2021; Enter The Void, Imagokinetics Lab, Hangzhou, 2020. Selected group exhibitions recently include By Art Matters, Hangzhou, 2023; X Museum, Beijing, 2023; Surplus Space, Wuhan, 2022; Wind H Art Center, Beijing, 2021; K11 Art Foundation, Shanghai, 2020; MOCA Yinchuan, Yinchuan, 2019; China Academy of Art, Hangzhou, 2018; Musée-Château, Annecy, 2017; Castello Di Rivara Center for Contemporary Art, Turin, 2016; CAFA Art Museum, Beijing, 2015. Ding was the recipient of a special award for the Prix Videoformes in Clermont-Ferrand, France, in 2015 and a silver medalist of the Chinese Film Festival in Washington D.C., US, in 2014. His animated short films had screenings at various international film festivals, including Festival International du Film d’Animation d’Annecy, Holland International Animation Film Festival, International Film Festival Rotterdam, and Tampere Film Festival. His work is featured in the collections of Louisiana Museum of Modern Art, Copenhagen, DK; CAFA Art Museum, Beijing, CN; Sifang Art Museum, Nanjing, CN; By Art Matters, Hangzhou, CN; etc.
相关链接：
丁世伟：幽灵腹语
2024年7月13日 - 2024年8月31日
相关链接：
拾萬空间
六年书
相关链接： 拾萬空间 | 六年书发布
拾萬空间，于2014年成立于北京草场地艺术区，2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心，并于2023年底迁至石家庄市井陉县北障城村。2023年初在杭州市西湖区转塘街道的孵鸡湾建立分部。拾萬北京总部位于798包豪斯建筑集群中的一处二楼下陷式空间，石家庄分部深入到太行山古村落中的一座老教堂，而杭州空间则改造自龙坞茶山旁的一间农舍。拾萬空间对常规化的展览保持警惕，希望从当代艺术的语境出发，通过持续的展览和项目，来回应我们共同的生存境遇，激发出当下文化中被忽视的部分。
Hunsand Space was established in 2014 in the Caochangdi Art Zone of Beijing. In 2018, it relocated to the 798 Art District in Beijing. At the end of 2021, Hunsand Space opened a branch, Hunsand Center for Contemporary Art, in Shijiazhuang, and by the end of 2023, it had moved to Beizhangcheng Village in Jingxing, Shijiazhuang. In early 2023, a new branch was established in Fujiwan, Zhuantang, Xihu, Hangzhou. The Beijing headquarters of Hunsand Space is located within a sunken two-story building in the Bauhaus architectural complex within the 798 Art District. The Shijiazhuang branch delves deep into an old church within a historic village in the Taihang Mountains, while the Hangzhou space has been transformed from a farmhouse near the Longwu Tea Plantation. Hunsand Space remains vigilant against the standardization of exhibitions and aims to respond to our shared existential experiences, sparking the often overlooked aspects of contemporary culture through ongoing exhibitions and projects.
北京画廊开放时间 Opening hours ： 周二-周日 TUE-SUN 10:30-18:30
石家庄画廊开放时间 Opening hours ： 周一-周日 MON-SUN 10:00-19:00
杭州画廊开放时间 Opening hours ： 周二-周日 TUE-SUN 10:30-18:00（冬季）11:00-19:00（春夏秋）
拾萬空间｜北京 拾萬当代艺术中心｜石家庄 拾萬空间｜杭州
微信 | WeChat: hunsandspace 微博｜Weibo: 拾萬空间 Instagram: hunsand_space
T：010-57623059 (北京） T：0311-66600320 （石家庄） T：0571-81950130（杭州） E：hunsand@hunsand.com W: www.hunsand.com
拾萬空间，于2014年成立于北京草场地艺术区，2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心，并于2023年底迁至石家庄市井陉县北障城村。2023年初在杭州市西湖区转塘街道的孵鸡湾建立分部。拾萬北京总部位于798包豪斯建筑集群中的一处二楼下陷式空间，石家庄分部深入到太行山古村落中的一座老教堂，而杭州空间则改造自龙坞茶山旁的一间农舍。拾萬空间对常规化的展览保持警惕，希望从当代艺术的语境出发，通过持续的展览和项目，来回应我们共同的生存境遇，激发出当下文化中被忽视的部分。
Hunsand Space was established in 2014 in the Caochangdi Art Zone of Beijing. In 2018, it relocated to the 798 Art District in Beijing. At the end of 2021, Hunsand Space opened a branch, Hunsand Center for Contemporary Art, in Shijiazhuang, and by the end of 2023, it had moved to Beizhangcheng Village in Jingxing, Shijiazhuang. In early 2023, a new branch was established in Fujiwan, Zhuantang, Xihu, Hangzhou. The Beijing headquarters of Hunsand Space is located within a sunken two-story building in the Bauhaus architectural complex within the 798 Art District. The Shijiazhuang branch delves deep into an old church within a historic village in the Taihang Mountains, while the Hangzhou space has been transformed from a farmhouse near the Longwu Tea Plantation. Hunsand Space remains vigilant against the standardization of exhibitions and aims to respond to our shared existential experiences, sparking the often overlooked aspects of contemporary culture through ongoing exhibitions and projects.