杨洋

1993年⽣于内蒙古呼伦贝尔，现⽣活⼯作于⼴州。

“我的创作围绕社会与生活中的审视，消解及转换、无用地'劳作'、自然生态与个体的关联、所使用媒介涉及到绘画、影像、工艺材料、创作的过程也让自己与作品相处沉淀，继续延展个人在成长过程中面临的现实。”

近期个展：

2024 恶俗，拾萬空间，杭州 ; 2023 把脸埋进土里，BAproject 计划单位，深圳 ;2022自燃，拾萬当代艺术中心，石家庄 ; 2022 塑料是伟大的就像佛，Aspiring Van Gogh，成都 ; 2021 呼伦贝尔没有草原，⼴州画廊，广州

近期精选群展包括：

2023 墨丘利的尾巴，武汉美术馆琴台馆，武汉 ;得闲饮茶—后日常的对话，广州美术学院美术馆，广州 ;八戒、之间，入口空间，郑州 ; 美丽花园，拾萬空间，杭州 ; 艺术深圳，拾萬空间，深圳 ; NAFI，拾萬空间，南京 ; 虚拟漫游，K11 Select，天津 ; 2022 中国当代艺术年鉴2021，798艺术中心，北京 ; 塔与案，上海当代艺术博物馆，上海 ; 平移—自然的语境，海上世界文化艺术中心，深圳 ; 日常：抹布、餐碟与床单，CUSP，杭州 ; 2021 Video AI PLAZA 影像单元，上海西岸艺术与设计博览会，上海 ; 歧路集，草场地319号，北京

Yang Yang

Born in Inner Mongolia in 1993, and currently lives and works in Guangzhou.

“My work originates from scrutinizing, counteracting, and transforming my experience with the society and everyday life. I value useless ‘labor’ in the process of making. I’m also interested in the relationships between the nature and individuals. sculpture, Using painting, video, Art installations, I try to settle and extend the reality I’m facing in my artistic creation.”

RecentSolo Exhibition：

2024 Pretend,Hunsand Space, Hangzhou ;2023 A Big Fire, BAproject, Shenzhen ; 2022 Plastic Is Great, Just Like Buddha, Aspiring Van Gogh, Chengdu ; 2022 Beyond Human Control, Hunsand Center For Contemporary Art, Shijiazhuang ; 2021 Nowhere But Everywhere, Canton Gallery, Guangzhou

RecentGroup Exhibition：

2023 Mercury’s Tail, Wuhan Art Museum Qintai, Wuhan ;Dak Haan Jam Caa - A Post Everyday Conversation, Guangzhou Academy of Fine Arts, Guang zhou ;Eight Precepts, In Between, Entrance Space, Zhengzhou ; A Beautiful Garden, Hunsand Space, Hangzhou ; Art Shenzhen, Hunsand Space, Shenzhen ; NAFI, Hunsand Space, Nanjing ; Virtual Roaming, K11 Select, Tianjin ; 2022 2021 The Exhibition Of  Annual Of Contemporary Art Of China, 798 Art Center, Beijing ; Double Reality-Theater on Table, Shanghai Power Station of Art, Shanghai ;  In Translation — The Contexts of Nature, SWCAC, Shenzhen ; As Usual: Rags, Plates & Sheets, cusp, Hangzhou ; 2021 Video AI PLAZA, West Bund Art & Design, Shanghai ; The Assemblage of Forking Paths, No. 319, Caochangdi International Art Village, Beijing

鸿野隆

1994年出生于日本神户, 他在雕塑、装置和表演中探索恐怖和亲密关系的复杂交叉点。Taka的作品常以湿发和排水沟为主题, 这些元素概括了他艺术探索中令人不安但又令人熟悉的领域。

展览中的黑暗，反映的是我们不可避免的人类普遍状况, 而不是灌输恐惧。而湿润的感觉则反映了我们人类生存的流动性和其经常令人不安的特质。Taka的作品迫使观众面对现实, 通过接受来激起宣泄。另外，他的作品还涉及到“缺席”这一主题, 缺席不是空洞，而是作为与过去存在共鸣的空间，这一概念促使观众与曾经存在的回声发生互动。

Taka Kono 亦艺术策划了一场恐怖和亲密的舞蹈, 促使观众审视他们的恐惧和欲望。它呼吁人们认识到不适, 拥抱复原力, 并参与到一个经常被回避的对话中——这些对于理解我们共同的人类状况都是至关重要的。通过这种交流，Taka 为我们集体心理中经常沉默的方面发出了声音。

近期精选展览包括：EASTEAST (科学博物馆, 东京, 日本, 2023)，Terminal B (Smena Center of Contemporary Culture, 喀山, 俄罗斯, 2022), down4u (Ritsuki Fujisaki Gallery, 东京, 日本, 2022), GARDEN OF GODS (SXSW x ultrastudio, 休斯顿, 美国, 2022), only only makes sense if there’s nothing else (darkZone, 新泽西州, 美国, 2021), dream knowledge, no, ledge, noh, no knowledge (mcg21xoxo, 松户, 日本, 2020)。

Taka Kono

Born in 1994 in Kobe, Japan, explores the intersection of horror and intimacy in his sculptures, installations, and performance pieces. Notably, Taka’s work features motifs of wet hair and drains, elements that encapsulate the unsettling yet familiar terrain of his artistic exploration.

Darkness in his exhibitions mirrors our inescapable human condition rather than instilling fear, while a sense of wetness reflects the fluid and often disconcerting nature of our human existence. Taka’s art compels viewers to confront their realities, provoking catharsis through acceptance. His works also engage with the theme of absence, not as a void, but as spaces resonating with past presence. This notion prompts viewers to interact with the echoes of what once existed.

Kono’s art orchestrates a dance of horror and intimacy, pushing viewers to examine their fears anddesires. It calls for the recognition of discomfort, the embrace of resilience, and participation in anoften avoided dialogue - all crucial in comprehending our shared human condition. Through thisexchange, Kono gives voice to the often silent aspects of our collective psyche.

Recent selected exhibitions include: EASTEAST (Science Museum, Tokyo, Japan, 2023), TerminalB (Smena Center of Contemporary Culture, Kazan, Russia, 2022), down4u (Ritsuki Fujisaki Gallery, Tokyo, Japan, 2022), GARDEN OF GODS (SXSW x ultrastudio, Houston, USA, 2022), onlyonly makes sense if there’s nothing else (darkZone, New Jersey, USA, 2021), dream knowledge,no, ledge, noh, no knowledge (mcg21xoxo, Matsudo, Japan, 2020).

刘国强

1988年生于山东，2011年毕业于中国美术学院新媒体系，现生活和工作于杭州。

艺术家的创作媒介涉及到装置、录像、图像以及绘画。⼈的知觉具有局限性和荒诞性，深入日常观察后，发现习以为常会造成我们很多观看的盲区。刘国强常用简洁的视觉方式描述关于时间，运动，以及物理维度中的悖论关系。用最平常的手段与材料去组合这些日常元素，试图重新建立观者对作品的理解与认知。

Liu Guoqiang

Born in Shandong in 1988, Liu Guoqiang graduated from the New Media Department of China Academy of Art in 2011 and currently lives and works in Hangzhou.

His artistic creations encompass installation, video, imagery, and painting. Liu Guoqiang delves into the limitations and absurdities of human perception and finds that what we take for granted often leads to blind spots in our vision. He often uses a concise visual approach to depict paradoxical relationships concerning time, motion, and physical dimensions. Through the use of ordinary means and materials to combine everyday elements, he aims to reconstruct viewers' understanding and perception of his works.

周天白：利仞不举

2024年4月6日 - 2024年5月25日

展览现场视频

公园项目

莫倪健：和睦

相关链接：

拾萬杭州｜展览现场｜周天白：利仞不举｜莫倪健：和睦

拾萬杭州｜即将展出｜周天白：利仞不举

拾萬杭州｜公园项目 ｜莫倪健：和睦

拾萬杭州 | 利仞不举 | 周天白对谈

2024年4月27日 - 2024年6月30日

相关链接：

拾萬石家庄 | 即将展出 | 开幕展 | 4月27日

拾萬石家庄 | 开幕展 | 高英普

拾萬空间 

六年书

相关链接：

拾萬空间 | 六年书发布

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拾萬空间，于2014年成立于北京草场地艺术区，2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心，并于2023年底迁至石家庄市井陉县北障城村。2023年初在杭州市西湖区转塘街道的孵鸡湾建立分部。拾萬北京总部位于798包豪斯建筑集群中的一处二楼下陷式空间，石家庄分部深入到太行山古村落中的一座老教堂，而杭州空间则改造自龙坞茶山旁的一间农舍。拾萬空间对常规化的展览保持警惕，希望从当代艺术的语境出发，通过持续的展览和项目，来回应我们共同的生存境遇，激发出当下文化中被忽视的部分。

Hunsand Space was established in 2014 in the Caochangdi Art Zone of Beijing. In 2018, it relocated to the 798 Art District in Beijing. At the end of 2021, Hunsand Space opened a branch, Hunsand Center for Contemporary Art, in Shijiazhuang, and by the end of 2023, it had moved to Beizhangcheng Village in Jingxing, Shijiazhuang. In early 2023, a new branch was established in Fujiwan, Zhuantang, Xihu, Hangzhou. The Beijing headquarters of Hunsand Space is located within a sunken two-story building in the Bauhaus architectural complex within the 798 Art District. The Shijiazhuang branch delves deep into an old church within a historic village in the Taihang Mountains, while the Hangzhou space has been transformed from a farmhouse near the Longwu Tea Plantation. Hunsand Space remains vigilant against the standardization of exhibitions and aims to respond to our shared existential experiences, sparking the often overlooked aspects of contemporary culture through ongoing exhibitions and projects.

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北京画廊开放时间 Opening hours ：

周二-周日 TUE-SUN 10:30-18:30

石家庄画廊开放时间 Opening hours ：

周一-周日 MON-SUN 10:00-19:00

杭州画廊开放时间 Opening hours ：

周二-周日 TUE-SUN 10:30-18:00（冬季）11:00-19:00（春夏秋）

拾萬空间｜北京

拾萬当代艺术中心｜石家庄

拾萬空间｜杭州

              

微信 | WeChat: hunsandspace

微博｜Weibo: 拾萬空间

Instagram: hunsand_space

T：010-57623059 (北京）

T：0311-66600320 （石家庄）

T：0571-81950130（杭州）

E：hunsand@hunsand.com

W: www.hunsand.com