拾萬石家庄 | 即将展出 | 风景画
展览：2022年11月5日-2023年2月5日
拾萬当代艺术中心(石家庄)非常荣幸地带来由二十位艺术家组成的关于“风景画”的群展。风景画是一种被大众广为接受的绘画题材，它在欧洲主要从宗教绘画中脱离而来，大多描绘自然风光，如山川江河等，而在中国古代，风景画主要表现为山水画，大量的文人山水描绘的都是想象中的场景，且尤其重视笔墨形式语言的塑造。今天的语境中，已经没有对“风景画”明确的门类划分，对艺术的认识也早已围绕“人”而展开，更多地则是进行媒介分类。
因而本次群展也并非纯然地以题材进行归类，“风景画”更像是一种提示或者隐喻，用以引导那些缺少视觉观看经验或相关知识积累的普通观众，在面对艺术家们如此丰富的视觉语言面貌之时，能够找到某种进入的路径。同时，展览也希望观众能够带着自己对“风景画”的认识进入展厅，在观看完丰富多彩的视觉呈现之后，或可得出“原来风景也可以这么画”的全新理解。
此外，本次展览的创作者以年轻艺术家居多，绘画的语言和逻辑千差万别，运用的媒介也多有不同。我们从作品所传递出的第三者感受出发，为观众做了五种类型上的简单提示，他们的画面感觉大致如下：
1-幽默 | 愤怒 —— 范桦晓、柯兰焰、李强强、周天白、朱钇名
2-感受 | 平静 —— 华烯宇、雷禺、秦安心、田昌泽、张振
3-叙事 | 神秘 —— 李涵、王希民、杨金玉
4-诗意 | 粘稠 —— 黄启佑、季俊、祝洵
5-描述 | 超越 —— 刘鹏、路佳霖、田召亭、周小聪
正所谓千人千面，以上感受型分类，只为观者提供一种基于理解力和感受力的可能性路标，至于那些穿行于风景之中的无名路径究竟通往哪里，它们将由观众自己决定，也有待他们亲自去发掘。总之，面对眼前的“风景”，正如刘慈欣在《诗云》中所言：
“李白眼中的大自然就是你现在看到的河边的少女，而同样的大自然在技术的眼睛中呢，就是那张白布上那些井然有序但血淋淋的部件……”
Hunsand Center for Contemporary Art (Shijiazhuang) is proud to present a group exhibition of twenty artists on 'Landscape Painting'. Landscape painting is a widely accepted theme in Europe, mainly from religious painting, depicting natural scenery, such as mountains and rivers. While in ancient China, landscape painting was mainly represented as Chinese traditional landscape painting, with a large number of literati depicting imaginary scenes, with particular emphasis on the formal language of brush and ink. In today's context, there is no longer a clear classification of 'landscape painting', and the understanding of art has long revolved around 'people', more often categorizing the medium.
Therefore, this group exhibition is not purely categorized by the theme; "landscape painting" is more of a hint or a metaphor to guide ordinary viewers who lack visual viewing experience or relevant knowledge to find some kind of access when faced with such a rich visual language of the artists. At the same time, the exhibition also hopes that the audience can bring their own knowledge of "landscape painting" into the exhibition hall, and after viewing the colourful visual presentation, they may come to a new understanding that "landscape can be painted in this way".
In addition, the majority of the artists in this exhibition are young artists, whose painting language and logic vary greatly, and whose mediums are also different. We have given the viewers five simple hints on the types of feelings conveyed by the works, and their senses of the images are roughly as follows：
1-Humour | Anger - Fan Huaxiao, Ke Lanyan, Li Qiangqiang, Zhou Tianbai, Zhu Yiming
2-Feeling | Calm -- Hua Xiyu, Lei Yu, Qin Anxin, Tian Changze, Zhang Zhen
3-Narrative | Mystery -- Li Han, Wang Ximin, Yang Jinyu
4-Poetry | Viscous -- Huang Qiyou, Ji Jun, Zhu Xun
5-Description | Transcendence -- Liu Peng, Lu Jialin, Tian Zhaoting, Zhou Xiaocong
As the saying goes, there are thousands of people, and the above categorization of sensory types only provides the viewers with a signpost of possibilities based on comprehension and perception, but it is up to the viewers to decide where the unnamed paths through the landscape lead to, and to discover for themselves. In short, in the face of the 'landscape' before us, as Liu Cixin says in Poetic Clouds.
"The nature in Li Bai's eyes is the maiden by the river you see now, and the same nature in the eyes of technology is the well-ordered but bloody parts on the white cloth ......"
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