McaM 展览丨“无声之后”艺术家介绍 Vol.5/5
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Richard Vijgen
图片致谢艺术家 Courtesy of the artist
理查德・威赫（1982年生于蒂尔堡），专注于数据可视化的艺术家和设计师。他将现实中不可见的技术维度可视化，创造多感官的数据体验。他的作品提供对数据的诗意解释，并探讨人类视角与数字网络、算法和无线通信的无形世界之间的对话。
在2009年成立理查德·威赫工作室后，他不断探索新技术、交互和美学的实验性实践，将不可见之物可视化。理查德·威赫的作品在全球各地的博物馆和艺术机构展出并被收藏，包括蓬皮杜艺术中心、洛杉矶郡艺术博物馆、巴比肯画廊、德国ZKM卡尔斯鲁厄艺术与媒体中心、林茨电子艺术节、Vitra设计博物馆和第12届欧洲宣言展等。
理查德・威赫现于ArtEZ艺术与设计学院的艺术、设计和技术系担任讲师，并经常担任艺术学院和大学的客座讲师。他曾获得多个奖项，包括荷兰设计奖、林茨电子艺术节大奖、欧洲设计奖和S+T+ARTS奖。理查德・威赫撰写关于数据可视化和数字文化的文章，曾在耶鲁建筑杂志、Volume杂志、《数据设计的新挑战》和《帕森斯信息制图杂志》等期刊上发表。
Richard Vijgen (b. 1982, Tilburg) is an artist and designer whose work focuses on artistic data visualization. He creates multi-sensorial data experiences that visualize the invisible technological dimensions of reality. His work provides poetical interpretations of data and proposes a dialog between the human perspective and the disembodied world of digital networks, algorithms and wireless communication.
Founded in 2009, Studio Richard Vijgen has been evolving into an experimental practice that explores new technologies, interactions and aesthetics to visualize the invisible. Richard Vijgen’s work has been exhibited in and collected by museums and art institutions across the world including Centre Pompidou, the Los Angeles County Museum of Art, The Barbican Gallery, ZKM, Ars Electronica, Vitra Design Museum and Manifesta 12.
Richard Vijgen lectures at the department of Art Design and Technology at ArtEZ school of Art and Design and frequently serves as a guest lecturer at art schools and universities. He has received a number of awards and prizes including the Dutch Design Awards, Prix Ars Electronica, European Design Award and S+T+ARTS. Richard Vijgen writes about data visualization and digital culture and has published articles in the Yale Architectural Journal, Volume Magazine, New Challenges for Data Design and the Parsons Journal for Information Mapping.
Susanne M. Winterling
图片致谢艺术家 Courtesy of the artist
苏珊·温特林（他/他们/她），出生于德国雷奧，她的作品通过多种媒材，探索情感经济、元素和物质化的文化和转变。在当今充满挑战的地缘政治背景之下，对于形式和材料的探寻能够追溯物种和元素。温特林的实践反映人类/动物/物质之间的政治和美学纠缠以及权力结构。她始终专注历史中女性主义的实践和社群，尤其关注在具身实践和宇宙观之下的不同知识形式。她基于时间的装置作品结合对现实的批判性再现。流行的现代主义观念、权力结构和层级式历史学通常关注纯粹信息和形式，而忽略了通过能量流动来理解浸入和力量，这一种以感觉的方法来解读媒体与物质。
自2018年以来，她的艺术研究项目“行星感知：地下导航”（https://planetarysensing.com/）探索了一系列发光生物，围绕社会雕塑、环境暴力以及生物感知和市民科学等主题，与跨学科艺术家、科学家、研究人员和诗人合作。温特林目前担任挪威奥斯陆国家艺术学院（Khio Oslo）的材料与媒介艺术教授。温特林近期展览和项目包括：Focus Terra科技博物馆（ETH），苏黎世（2023年）；曼海姆美术馆（2023年）；特隆赫姆美术馆（2022年）；RADIUS当代艺术与生态中心，代尔夫特（2022年）；MOMENTA运动影像双年展（2021年）；“温度：皮肤之下，穿越生命网络的纳米载体”，先灵基金会，柏林，德国；“在沙漠时光中”（与艺术家Kalpana合作），弗莱堡艺术协会，德国；“围绕我们的海”，The Model空间，斯利戈，爱尔兰；“乌龟的形状”（与艺术家Kalpana合作），项目“88”，孟买，印度；“重力电流与生命魔法”，Empty画廊，香港；“巴伦茨奇观”，基尔克内斯，挪威；“身体之间”，西雅图亨利艺术画廊，华盛顿州/美国；吕勒奥双年展，吕勒，瑞典，等等。
Susanne M. Winterling (they/them/she) born in Rehau, works across a range of media to explore the sentient economy, cultures and transformations of elements and materialisations. Forms and materials trace species and the elements in today’s challenging geopolitical context. Winterling’s practice reflects upon political as well as aesthetic entanglements and power structures among human/ animal/matter. She remains focused on historical feminist practices and the commons and puts spotlight on different ways of knowledge through embodiment and cosmologies. Her time-based installations critically engage the representation of reality. Prevailing modernistic concepts, power structures and hierarchical historiographies are captured and investigate often what pure information and form leaves out -- including a sensual approach to media and material informed by the understanding of immersion and power as energy flows.
Since 2018 the artistic research project “Planetary sensing: navigation below the surface” (https://planetarysensing.com/) circles with bioluminescence on topics of social sculpture and environmental violence as well as bio-sensing and citizen science in collaboration with an interdisciplinary group of artists, scientists, researchers and poets. Winterling is currently professor of material and medium based arts at Khio Oslo the National Academy of the Arts Oslo Norway. Recent exhibitions and projects include: Focus Terra (ETH) Zuerich (2023), Kunsthalle Mannheim (2023), Kunsthall Trondheim 2022, Radius CCA Delft 2022, MOMENTA Biennale of moving image 2021, “TEMPERATE - under your skin, nanocarriers directed through the web of life”, Schering Stiftung, Berlin, DE; “In Desert Times”, (w/The Kalpana), Kunstverein Freiburg, DE; “The Sea Around Us”, The Model, Slig0, IE; “The Shape of the Tortoise”, (w/The Kalpana), project 88, Mumbai, IN; “Gravitational currents and the life magic”, Empty Gallery, Hong Kong, CN; “Barents spectacle”, Kirkenes, NO; “Between Bodies”, Henry Art Gallery, Seattle, WA/US; “Lulea Biennale”, Lulea, S, among others.
许家维
图片由許家維工作室提供
Courtesy of Hsu Chia Wei Studio (HCＷstudio)
许家维（1983年出生于台中），现工作与居住于台北。2016年毕业于法国国立当代艺术工作室，作为艺术家、导演和策展人，他的作品融合了当代艺术和电影语汇，发掘图像创作过程背后的复杂生产机制。在艺术实践的方式上，特别著力于影像创作背后的行动性，并透过建立镜头以外的事件，连结正规历史描述所未及的人、物质与地方的关系。
曾于台北尊彩艺术中心（2021）、北师美术馆（2019）、森美术馆（2018）等机构举办个展。参与过的联展包括釜山双年展（2022）、爱知三年展（2022）、亚太三年展（2021）、新加坡双年展（2019）、荷兰国家电影资料馆（2019）、光州、釜山、上海及悉尼双年展（2018）等。他身兼策展人角色所策划的展览包括亚洲艺术双年展（国立台湾美术馆，台中，2019）以及台湾国际录像艺术展（凤甲美术馆，台北，2018）。
Hsu Chia-Wei (b.1983, Taichung), graduate of Le Fresnoy National Studio for Contemporary Arts in France, Chia-Wei Hsu’s work as an artist, filmmaker and curator merges the languages of film and contemporary art and unearths the complex mechanisms behind the production of images. Through his artistic practice, Hsu weaves connections between humans, materials and places that have been overlooked or omitted in conventional historical narratives.
Hsu held solo exhibitions at Liang Gallery (2021; Taipei), Museum of National Taipei University of Education (2019; Taipei), and Mori Art Museum (2018; Tokyo, Japan). He has participated in group shows and commissioned projects in Aichi Triennale, Asia Pacific Triennale, the Biennials of Singapore, Shanghai, Gwangju, Busan and Sydney, Eye Filmmuseum and Yamaguchi Center for Arts and Media.
He is also the curator of Asian Art Biennial at the National Taiwan Museum of Fine Arts (2019; Taichung) and Taiwan International Video Art Exhibition at Hong-Gah Museum (2018; Taipei).
Yuri Pattison
图片致谢艺术家 Courtesy of the artist
尤里·帕蒂森的多媒体创作十分复杂，呈现出一种反幻觉且富有诗意的美学。这位爱尔兰艺术家通过编程制造人工日出，从而显现出数字技术的物质性。通过基于研究的方法，他探讨虚拟和物理之间难以捉摸的领域，由此论及当下现实。尤里·帕蒂森探索新技术，如数字经济或在线通信如何从根本上影响和改变社会生活条件；技术如何影响我们对日常生活和环境的感知；技术如何构建空间和时间？
帕蒂森近期个展包括：“时钟速度（世界的时间）”，伦敦mother’s tankstation（2022）；“引擎”，都柏林道格拉斯·海德画廊（2020-21）；“受信任的旅行者”，瑞士Kunsthalle Sankt Gallen（2017）；以及”用户，空间”，伦敦Chisenhale画廊（2016年）。近期群展包括“鲁尔之物：睡眠”，德国鲁尔城市美术馆；“激进的景观”，利物浦泰特美术馆（均于2023年）；“后资本”，丹麦哥本哈根夏洛滕堡美术馆（2022年）；“一次逃脱”，第11届首尔媒体城市双年展；“非线性时间混乱”，荷兰乌得勒支BAK艺术中心；“权益证明，技术声明”，德国汉堡艺术协会；“大海”，挪威卑尔根美术馆；“电子音乐，博物馆”，意大利博尔扎诺（2021年）；“现代运动万岁”，纽约CCS巴德赫塞尔博物馆（2020年）；以及“幽灵维面—电驭叛客在未来之年”，香港大馆当代美术馆（2019年）。
The multimedia works of Yuri Pattison are complex while their aesthetics often seem anti-illusionistic and poetic. For example, the Irish artist programmes artificial sunrises, thus making the materiality of digital technology visible. Using a research-based approach, he grapples with the elusive realms between the virtual and the physical — and, in doing so, with our present. Yuri Pattison explores how new technologies — such as the digital economy or online communication — fundamentally affect and modify the conditions of social life. How do these technologies influence our everyday lives and the perception of our environment? How do they structure our perception of space and time?
Solo exhibitions include “clock speed (the world on time)”, mother’s tankstation, London, (2022); “the engine”, Douglas Hyde Gallery, Dublin (2020-21); “trusted traveller”, Kunsthalle Sankt Gallen (2017); and “user, space”, Chisenhale Gallery, London (2016). Selected recent group exhibitions include “Ruhr Ding: Schlaf”, Urbane Künste Ruhr, Germany; “Radical Landscapes”, Tate Liverpool (both 2023); “Post Capital”, Kunsthal Charlottenborg, Copenhagen (2022); “One Escape at a Time”, 11th Seoul Mediacity Biennale, Seoul; “No Linear Fucking Time”, BAK, Utrecht; “Proof of Stake - Technological claims”, Kunstverein in Hamburg, Hamburg; “The Ocean”, Bergen Kunsthall, Bergen, Norway; “TECHNO, MUSEION”, Bolzano, Italy (2021); “Long Live Modern Movement”, CCS Bard, Hessel Museum, New York (2020) and “Phantom Plane, Cyberpunk in the Year of the Future”, Tai Kwun Contemporary, Hong Kong (2019).
Jeroen van Loon
摄影 Photo credit: Arthur Martin
耶伦·范·洛恩是一位荷兰艺术家，他以短暂性与永久性为视角进行研究、并以可视化的方式呈现当下的数字文化现状。他的作品曾在国际机构中展出，包括蓬皮杜艺术中心、柏林Transmediale媒体艺术节、IDFA 纪录片实验室、Aksioma、长征空间、乌德勒支中央博物馆、多特蒙德媒体艺术协会、IMPAKT视听艺术节、Verbeke基金会、荷兰春天表演艺术艺术节、巴黎Nemo国际数位艺术双年展、V2_实验室、开罗电子和新媒体艺术节（Cairotronica）、KIKK艺术节和MU艺术空间等。他曾获得K.F. Hein Kunststipendium奖，欧洲青年奖（European Youth Award），被提名2022年“新技术艺术奖”（New Technological Art Award，NTAA），并且是Brave New World Speaking Agency的艺术和技术讲者。
范·洛恩（1985年出生于荷兰赫尔托亨博斯）现居住和工作于荷兰乌得勒支，于乌得勒支艺术大学获得数字媒体设计学士学位和欧洲媒体艺术硕士学位。
Jeroen van Loon is a Dutch artist researching and visualizing current digital culture through the lens of ephemerality and permanence.
His work is exhibited internationally at venues such as Centre Pompidou, Transmediale, IDFA Doclab, Aksioma, Long March Space, Centraal Museum, HMKV | Dortmunder U, IMPAKT festival, Verbeke Foundation, SPRING performing arts festival, Nemo Biennale, V2_, Cairotronica, KIKK Festival and MU Artspace.
He received the K.F. Hein Kunststipendium, the European Youth Award, was nominated for the New Technological Art Award (NTAA) 2022 and is part of the Brave New World Speaking Agency as a speaker on art and technology.
Van Loon (b. 1985 in Hertogenbosch, lives and works in Utrecht) received a bachelor in Digital Media Design and a European Media Master of Arts from the HKU University of the Arts Utrecht.
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即将展览
2023.11.4 - 2024.2.25
策展人
龙星如、钱诗怡
助理策展人：陈子涵
艺术家
Vibeke Mascini & Ella Finer 、费亦宁 Fei Yining、Julie Freeman、刘窗 Liu Chuang、Nicole L’Huillier、许家维 Hsu Chia-Wei、Knowbotiq、Jeroen van Loon、Nicholas Mangan、Yuri Pattison、Diana Policarpo、Shubigi Rao、Riar Rizaldi、Susan Schuppli、Nastassja Simensky、Himali Singh Soin、苏郁心Su Yu Hsin、Jol Thoms、Nomeda & Gediminas Urbonas、Richard Vijgen、Susanne M. Winterling、黄美婷 Cosmo Wong、张北辰 Zhang Beichen
展陈设计
王一帆
主办
明园集团
McaM明当代美术馆
出品人
李松坚、凌菲菲
地址
上海静安区永和东路436号
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