【展讯】王屿星个展“自然码码”—青年艺术家陪跑计划 | 北京
展览
EXHIBITION
“青年艺术家陪跑计划”个展
自然码码
艺术家：王屿星
学术指导：蔡萌、荣荣&映里
主办：三影堂教育计划
展期：2023.10.21—11.12（周一闭馆）
开幕对谈：2023.10.21（15:30-16:30）
开幕导览：2023.10.21（16:30-17:00）
对谈嘉宾：蔡萌、王屿星
地址：三影堂摄影艺术中心（北京市朝阳区草场地155号A）
● Please scroll down for English
三影堂摄影艺术中心“青年艺术家陪跑计划” 联合多位国内外资深艺术家、策展人、学者，为在艺术道路上遇到瓶颈或希望迈上职业艺术家道路且有潜力的青年创作者们，给予全年系统性的启发和帮助。王屿星作为2021首届“青年艺术家陪跑计划”入围者之一，与两组导师（蔡萌、荣荣&映里）进行长达一年的创作交流，其个展 “自然码码”将于2023年10月21日至11月12日在三影堂摄影艺术中心3.0space展出。
三影堂教育计划将荣幸邀请蔡萌（中央美术学院美术馆影像艺术中心主任，研究员，策展人）与艺术家王屿星于10月21日围绕“风景的拍摄和再创作”等相关议题展开讨论，同时艺术家也将分享多年来图像再创作的探索和研究，以及背后的思路和工作方法。
艺术家自述
自然码码，是对自然密码的解码，晕眩的下午，是这个系列创作的起点，当我在自然风景面前长时间地观看并持续感到晕眩，无论是用肉眼，还是透过镜头，那样的时刻都已不复存在，我想通过对这些风景的拍摄和再创作，试着去还原和保存那些复杂的记忆，试着去寻找那些在被反复讲述的时间和故事里依然还流动着的永恒。
《自然码 natural code》2023，50×50cm，UV喷墨打印，镜面铝板，UV inkjet printing, Mirror aluminum plate
《自然码码》延续了我近年来对于图像再创作的探索，即我对于创作行为的过程中“灵感”这个组成部分的观察和研究，我想试着用“灵感”去描述“灵感”，并找到一种关于“理性的逻辑”与“直觉的顿悟”之间的平衡，以及图像生产对于个人或集体审美的塑造。基于这样的创作思路和工作方法，以一张原始照片为素材，无论是进行校色，还是修整瑕疵，图像既是画布，也是画笔，当它作为媒介变成笔触的时候，它似乎也进化成为某种语言，图像本身即是语言，观看它们和观看真实的自然世界一样，可能无法完全理解，但我可以试着去接近和感受，关于大自然的奥秘。
《灌溉 irrigate》2023，尺寸可变，综合材料：紫竹，不锈钢，等等，Variable size，Composite material: Black bamboo, Stainless steel，Other
“灌溉”是一件正在生长中的作品，以一棵“树干”作为雏形，从开幕当天起，我会每天来到展厅添加养料，对它进行浇灌，修剪，或是移植，一直到闭幕结束。这件作品将围绕“灵感”和“生长”，向来到展厅的观众呈现一场关于即兴与控制的创作过程。
展览以入口处《自然码》为序，沿着楼梯往上，展厅内部由五个部分组成，分别是《晕眩的下午》《天地之间》《雪国》《家园》《太阳岛》，并由五首以时间线索为代表的“音乐图像”作为双线交叉叙事，分别是《开场曲：清醒？》《中场曲：白月》《晚霞曲：前篇》《晚霞曲：后篇》《燃烧曲：归还》。
《倒数涟漪 count backwards》2023，80×56cm，收藏级微喷，硫化钡艺术纸， Archival inkjet print， FineArt Baryta
《意识挂在树上 consciousness hangs on trees》2023，80×56cm，收藏级微喷，硫化钡艺术纸，Archival inkjet print，FineArt Baryta
《咒语 incantation》2023，80×56cm，收藏级微喷，硫化钡艺术纸，Archival inkjet print，FineArt Baryta
《燃烧曲：归还 burning song：return》2023，72×48cm，UV喷墨打印，亚克力木框灯箱，UV inkjet printing，Acrylic wood frame lightbox
艺术家
王 屿星
1985年出生于重庆，2007年毕业于四川美术学院，现生活工作于北京。他关注自然现象，自我意识，人与环境的关系，以及图像生产对于个人或集体审美的塑造与精神世界的影响，他相信视觉语言的力量，倾向于以图像作为媒介，对人的内心世界与外部世界的联结进行“有意识”与“无意识”的创作，通过基于想象预设再造，与观察捕捉截取，来获得新的灵感。
展览
2023 年
昨天睡得好吗：兰境艺术中心 北京
2022 年
三影堂第三届 PhoPho Fair：三影堂摄影艺术中心 北京
2021 年
敕勒 HAKUCHI：新邻里艺术中心 重庆
样板间-图像的转向：上海展览中心 在3画廊 上海
越是切近 越是遥远：在3画廊 北京
三影堂第二届 PhoPho Fair：三影堂摄影艺术中心 北京
伟大的毕达哥拉斯 - NFT加密艺术展：在3画廊 北京
2020 年
152020：金杜艺术中心线上项目 北京（线上）
2019 年
@Art Festival 艾特艺术节：George V 艺术中心 北京
三影堂首届 PhoPho Fair：三影堂摄影艺术中心 北京
大流散 DIASPORA：画廊周北京 X 屏幕间 特别项目 屏幕间SCREENROOM & 798艺术中心 北京
2014 年
无相：2014年第六届三影堂摄影奖作品展 三影堂摄影艺术中心 北京
2007 年
only 10+2 油画展：坦克库·重庆当代艺术中心 重庆
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导师
蔡 萌
美术学博士，中央美术学院美术馆影像艺术中心主任，研究员，策展人。曾供职于中国艺术研究院（2006—2008）和广东美术馆 (2009—2010)。
策划的展览有“第三届广州国际摄影双年展”（2009）、“首届CAFAM未来展”（2012）、“首届北京国际摄影双年展”（2013）、“中国当代摄影2009-2014”（2014）、“第二届CAFAM未来展”（2015）、“第二届、第三届北京国际摄影双年展”（2015、2018）和“罗杰·拜伦：荒诞剧场”（2016）等。
导师
荣荣&映里
中国摄影艺术家荣荣与日本摄影艺术家映里（inri）自2000年开始合作。他们的摄影作品在展现两人共同创造的独特、感性世界外，也表达了对传统手工照片和暗房技术进行持续探索及拓展的坚持。荣荣&映里备受关注的作品，如《富士山》、《自然》、《六里屯》和《妻有物语》等，将人与生存环境、人与自然的关系作为主题，也是对从死亡和废墟到重生和超越的视觉叙事的充满诗意的沉思。
2007年，荣荣&映里在北京草场地国际艺术区创办了三影堂摄影艺术中心，这是中国第一个由艺术家自资创立的摄影艺术中心，同时也是一个开放互动的国际性交流平台。2008年起，荣荣&映里启动了“三影堂摄影奖(TSPA)”活动，旨在鼓励并挖掘中国最具潜力的摄影艺术家。2010年，他们与法国阿尔勒国际摄影节 (Les Rencontres d'Arles) 合作，在2010至2012年间连续举办了三届“阿尔勒在北京-草场地摄影季”。2015年，随着三影堂厦门摄影艺术中心的成立，他们在厦门市集美区启动一年一度的集美·阿尔勒国际摄影季。2016年，世界摄影组织为荣荣&映里颁发索尼世界摄影奖“摄影杰出贡献奖”，以表彰他们的艺术创作和对亚洲摄影界的贡献。
3.0 space
【3.0 space】是三影堂摄影艺术中心于2021年初成立的独立艺术空间，同时也是专属于青年艺术创作者、策展人、研究者们思想碰撞的实验发生场。旨在为了更好的激发中国当代摄影的新生力量，及将影像艺术语言的魅力传递给更广泛的人群。
三影堂教育计划
【三影堂教育计划】三影堂摄影艺术中心主要部门之一，以北京和厦门摄影美术馆为教学与实践基地，将摄影视为一种广泛而独立的艺术形式，并面向不同学习阶段的受众提供国际化的影像艺术教育课程。依托三影堂国内外优质的高校和机构资源，推出体验课、沙龙、海外游学、创作工坊、留学作品集、大师班等系列项目。
"Young Artist Running Program" Solo Exhibition
Nature Code Code
Artist: Wang Yuxing
Mentors: Cai Meng / RongRong&inri
Organizers: Three Shadows Education Program
Duration: 2023.10.21—11.12 (Closed on Mondays)
Opening Talk：2023.10.21（15:30-16:30）
Opening Guided Tour：2023.10.21（16:30-17:00）
Opening Guests：Cai Meng / Wang Yuxing
Location: 155A, Caochangdi, Chaoyang District, Beijing
● Please scroll down for English
The natural code code is the decoding of the natural code, the dizzy afternoon is the starting point of this series. When I watched the natural scenery for a long time and felt dizzy continuously, no matter with the naked eye or through the lens, that moment no longer exists. I want to try to restore and preserve those complex memories through shooting and recreating these landscapes. Try to find the eternity that still flows through time and stories that are told over and over again.
Natural code, 2023, 50*50cm, UV-mirrored aluminium panel
"Nature Code Code" continues my exploration of image re-creation in recent years, that is, my observation and research on the component of "inspiration" in the process of creative behavior. I want to try to describe "inspiration" with "inspiration", and find a balance between "rational logic" and "intuitive Epiphany", as well as the shaping of image production on individual or collective aesthetics. Based on such creative ideas and working methods, taking an original photo as the material, no matter for color correction or flaw correction, the image is both a canvas and a brush. When it becomes a brush stroke as a medium, it seems to evolve into some kind of language. The image itself is a language, which may not be fully understood just like watching the real natural world. But I can try to approach and feel the mysteries of nature.
Irrigate, 2023, Variable size, Composite material: Black bamboo, Stainless steel, Other
"Irrigation" is a growing work, with a "tree trunk" as the prototype. From the opening day, I will come to the exhibition hall every day to add nutrients, water it, trim it, or transplant it until the closing day. This work will focus on "inspiration" and "growth", presenting the audience to the exhibition hall a creative process about improvisation and control.
The exhibition is based on the "Nature Code" at the entrance and goes up the stairs. The interior of the exhibition hall is composed of five parts, namely "Dizzy Afternoon", "Between Heaven and Earth", "Snow Country", "Home" and "Sun Island", and five "musical images" represented by time clues are used as a double-line crossover narrative, respectively, "Opening Song: Awake?" "Halftime Song: White Moon", "Sunset Song: Part One", "Sunset Song: Part Two", "Burning Song: Return".
ARTIST
Wang Yuxing
From China，born in Chongqing, was graduated from Sichuan Fine Arts Institute. At present, he lives in Beijing. As an artist who advocates the power of visual language, Wang is inclined to display the connections between people’s inner world and the outside world through images in a “conscious” or “unconscious” way. He is inspired by imagination, prediction and reconstruction, as well as observation, capture, and interception.
Exhibition
2023
Did you sleep well yesterday：Lanng Space , Beijing
2022
PhoPho Fair 3nd: Three Shadows Photography Art Center , Beijing
2021
ChiLe HAKUCHI：New Community Art Center，Chongqing
PROTOTYPE ROOM-THE PICTORIAL TURN：Shanghai Exhibition Center，Being 3 Gallery , Shanghai
BLURS：Being 3 Gallery , Beijing
PhoPho Fair 2nd: Three Shadows Photography Art Center , Beijing
The great Pythagoras - NFT Crypto Art Exhibition：Being 3 Gallery , Beijing
2020
152020：KWM Art Center Online Project, Beijing (Online)
2019
@art Festival: George V Art Center , Beijing
PhoPho Fair: Three Shadows Photography Art Center , Beijing
DIASPORA: Gallery Week Beijing & Screen Special Project SCREENROOM & 798 Art Center , Beijing
2014
Formless: 2014 The 6th Three Shadows Photography Award Exhibition , Three Shadows Photography Art Center , Beijing
2007
Only 10+2 Oil Painting Exhibition：Tank Warehouses·Chongqing Contemporary Art Center , Chongqing
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MENTOR
Cai Meng
Doctor of Fine Arts, Director of the Image Art Center at the Central Academy of Fine Arts, researcher, and curator. Previously worked at the China Academy of Art (2006–2008) and the Guangdong Art Museum (2009–2010).
Curated exhibitions include the "3rd Guangzhou International Photography Biennial" (2009), "1st CAFAM Future Exhibition" (2012), "1st Beijing International Photography Biennial" (2013), "Chinese Contemporary Photography 2009-2014" (2014), "2nd CAFAM Future Exhibition" (2015), "2nd and 3rd Beijing International Photography Biennial" (2015, 2018), and "Roger Ballen: Absurd Theater" (2016)
MENTOR
RongRong&inri
RongRong (China) and inri (Japan) have been working together since 2000. Their works reflect the intimate world that they have created together and push the boundaries of traditional black-and-white darkroom techniques. Their critically acclaimed series of works, such as In Fujisan, Japan 2001 (2001), Liulitun, Beijing (1996-2003), and Tsumari Story (2012-2014), reflect their shared life and surroundings, delving into the rapidly changing world around them.
RongRong&inri’s works are in the collection of many important art museums, such as Tate Modern (London), MoMA (New York), J. Paul Getty Museum (Los Angeles), Foundation Guy & Myriam Ullens (Beijing), Tokyo Photographic Art Museum (Tokyo) and National Museum of Australia (Canberra). RongRong&inri received the Outstanding Contribution to Photography Award at the 2016 Sony World Photography Awards, and the International Award at the 2022 Photography Society of Japan Awards, in recognition of both their careers as artists and their significant impact on Asian photography.
3.0 space
3.0 space is an independent art space established by Three Shadows Photography Art Center in early 2021, and is also an experimental venue for young art creators, curators and researchers to collide their ideas. It is also a platform for young art creators, curators, and researchers to meet and experiment with ideas. It aims to inspire the new force of contemporary photography in China and to convey the charm of the art language of photography to a wider audience.
Three Shadows Education Program
Three Shadows Education Program One of the main divisions of Three Shadows Photography Art Center, with the Beijing and Xiamen Photography Art Museums as its teaching and practice bases, regards photography as a broad and independent art form, and provides international image art education programs for audiences at different learning stages. Relying on the quality resources of universities and institutions at home and abroad, Three Shadows launches a series of programs such as experiential classes, salons, overseas study tours, creative workshops, study abroad portfolios, master classes, and so on.
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