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孙澜赫个展——体育场
策展人：肖瑞昀
艺术总监：滕青云
主办：三影堂厦门摄影艺术中心
展期：2022年3月26日-2022年4月24日
开幕：2022年3月26日 15:00
地点：厦门市集美区杏林湾商务营运中心二号裙楼三层
展览名“体育场”，不仅指代物理意义上发生运动赛事的场地，同时指向了与体育相关的“场域”（Field）1。孙澜赫将空间概念延展至历史文化与社会经验，并且围绕着体育如何在象征层面上的信仰转移进行讨论。
孙澜赫引用神话中的形象和故事，由此展开一系列作品的叙述：装置《偶像》来源于爱神厄洛斯为运动员提供刮身板，以及神话中运动员间传递的标枪，那是对理想竞技之美的追求和胜利的渴望；《体育纪念碑》则树立形象的另一种方式——丰碑，利用希腊柱式，以及装饰其上的攀岩手点、运动水囊等现代产物，使得古典与现代在这一具有仪式感的雕像中矛盾合一；由运动面料制作的大尺幅图像《女冠军》、影片《体育场》效仿的是古希腊女神阿尔忒弥斯，其形象代表着野性与文明之间的竞赛，体现了当下体育形象与仪式的影射。
《体育纪念碑》
装置｜300×300×120cm｜2021
混凝土，聚苯乙烯，铁，木，墙纸，运动水袋，安全扣，攀岩手点，运动面料
孙澜赫透过形象转换、拼贴等方式，探讨体育在当代社会的意义。作品采用了现成物进行创作，将无序的物品进行重新编排，使材料和元素转换其含义。例如《女冠军》将当下女性广告图像，置入体育英雄的形象之中，而《游戏》由图像拼贴而成的奥林匹斯山，同样虚拟地构建了体育崇高的精神形象；《体育场》透过具有科技感的服饰造型和镜头运动，在当下的环境中还原一场古代的追逐仪式；攀岩手点以当代图腾的方式，在《游戏》、《体育纪念碑》中不断重复出现，代表着人类用理性制定的规则，象征体育的游戏本质。
《女冠军》
数字摄影｜运动面料｜300cm×120cm×5｜2021
《体育场》截图
影像｜2021｜单频｜彩色有声｜4k｜13’21”
《游戏》效果图
装置｜尺寸可变｜2022
数码打印，攀岩手点
“所有身体运动起初都是祭礼。” 2 孙澜赫反观过往的体育世界，是如何通过仪式及象征符号等复杂的手段，强化其神圣的一面。古希腊仪式中的图腾、偶像和拜物，正透过孙澜赫作品呈现的现代技术手段，转移到当下体育的生产和消费。现代人追随竞技比赛的愉悦和刺激，体育从神圣走向了世俗信仰，“更高更快更强”等话语充斥于人们塑造的现代体育神话之中。
注：
1.《艺术的法则》等著作中，布迪厄认为社会被分割成许多不同的场域，这些场域形成相对独立的社会空间，并非实体存在，而是结构化的群体想象领域。
2.德国体育史学家卡尔·迪姆在《体育世界史》，开篇便给出了“所有的身体运动一开始都带有祭祀性质”的论断，最为知名的古希腊奥运会就是竞技运动与宗教庆典的融合。
关于艺术家
孙澜赫，1988年出生于中国吉林。2021年毕业于切尔西艺术学院，获艺术硕士学位。他参加的展览包括：London Grads Now. 21（萨奇画廊，伦敦，2021）、RALLY Chelsea-MAFA Show（切尔西艺术学院，伦敦，2021）、新声”空间消化（Asian Art Works画廊，北京，2018）、万丈高楼平地起—第二届长江国际影像双年展（重庆长江当代美术馆，重庆，2017）、VIA Art Channel 中国艺术家视频艺术专场（巴黎/SFE TV，2016）、是&非—首届长江国际影像双年展（重庆长江当代美术馆，重庆，2015）。
Sun Lanhe Solo Exhibition ——Stadium
Curator: Xiao Ruiyun
Art Director: Teng Qingyun
Organizer: Three Shadows Xiamen Photography Art Centre
Duration: Mar 26, 2022 - Apr 24, 2022
Opening: Mar 26, 2022 15:00
Venue: 3rd Floor of Building 2, Xinglinwan Business Center, Jimei District, Xiamen
Preface
Text/Xiao Ruiyun
The title of this exhibition, Stadium, alludes not just to the physical location where sporting events take place, but also to the field associated with sport.1 Sun Lanhe analyzes how sport is a symbolic transfer of belief, extending the concept of space to historical, cultural, and social experiences.The narrative of a series of works begins with Sun's references to mythological motifs and stories: the installation, Idol, is inspired by the strigil provided to athletes by Eros, the goddess of love, and the javelin passed from athlete to athlete in the myth, which represents the pursuit of the ideal beauty of athletics and the desire to win; Sporting Monument is another approach of establishing the image of Monument, using Greek columns, and modern objects such as climbing holds and sports water bags to decorate them, in order to paradoxically reconcile the classical and modern in one statue with a sense of ritual. Female Champion, a large-scale image made of sports fabric, and the film, Stadium, are based on the ancient Greek goddess Artemis, whose image reflects the fight between wildness and civilization, insinuating the present image of sport and its ritual.Sporting Monument (Detail)
Installation｜Dimensions variable｜2022
stone, massage knife, javelin, shoes
Sun Lanhe explores the significance of sports in contemporary society through image transformation and collage. The works are created with ready-mades, rearranging disorderly objects to transform the meanings of the materials and elements. Female Champion, for example, transforms contemporary female commercial pictures into the image of sports heroines, while Play uses a collage of images to build Mount Olympus, which also serves as a virtual representation of the spiritual image of the sublime sports; Stadium replicates an ancient chase ritual in the modern surroundings through the costume shape and camera movement with a sense of technology; in Play, the climbing holds take the form of a modern totem, Sporting Monument keeps reappearing, indicating the rules set by human beings with reason, and symbolizing the nature of sports.Video|2021|Single-channel|Color with sound|4k|13’21”Carl Diem argues that all physical exercises begin as sacrifices. 2 Sun Lanhe looks back at how the world of sports in the past used complex means such as rituals and symbols to reinforce its holiness. The totems, idols and worship of ancient Greek rituals are being translated to the production and consumption of sports in the present through the modern techniques portrayed in Sun Lanhe's work. Sports have shifted from religious to secular ideas as modern people follow the thrill and excitement of athletic competition, and slogans like "higher, faster, stronger" have become part of the modern sports mythology.1. In works like Rules of Art, Bourdieu argues that society is divided into many separate sectors, each of which forms relatively independent social spaces that do not exist physically but are structured domains of collective imagination.2 Carl Diem, a German sports historian, begins his World History of Sport and Physical Education by claiming that all physical exercises begin as sacrifices and that the most famous ancient Greek Olympic Games were a fusion of athletics and religious festivity.Lanhe Sun, burn in 1988, Jinlin, China. He graduated with a Master of MA Fine Art from Chelsea College of Arts in 2021. The exhibitions he has participated in include：London Grads Now. 21(Saatchi Gallery, London, 2021), RALLY Chelsea-MAFA Show(Chelsea College of Art, London, 2021), “New Voice” Space Digestion(Asian Art Works, Beijing, 2018)，Tall Building Begins on Flat Ground-The Second Yangtze River International Video Biennial Exhibition(Chongqing Yangtze River Contemporary Art Museum, Chongqing, 2017), VIA Art Channel Chinese Artist Video Art Show(Paris/SFE TV, 2016), Right & Wrong-The First Yangtze River International Video Biennial Exhibition(Chongqing Yangtze River Contemporary Art Museum, Chongqing, 2015).【更多阅读】
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